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| Sports on a Frozen River |
Artist:Aert van der Neer (Dutch, Gorinchem 1603/4–1677 Amsterdam)
Date:probably ca. 1660
Medium:Oil on wood
Dimensions:9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)
Classification:Paintings
Credit Line:The Friedsam Collection, Bequest of Michael Friedsam, 1931
Van der Neer's special interest in effects of light and atmosphere found an ideal subject in the winter landscape. Here the brilliant illumination of the sunset is diffused throughout the landscape by its reflection in the ice.
Catalogue Entry
This small, delicately painted panel is a mature example of Van der Neer's ice-skating scenes, and probably dates from about 1660. In this luminous picture, the sun sets over one of Holland's inland waterways. The icy landscape is described mostly in tones of rose and gray. Houses crowd the shoreline at either side. The towers of two village churches mark the recession on the left, which terminates at an overscaled windmill. A small sailboat is moored by the simple, snow-traced crane at the left edge of the composition. A few of the scattered skaters practice colf, a game resembling golf.
The great majority of Van der Neer's wintertjes (little winter scenes), which number more than two hundred, depict figures on a frozen river or canal. These mostly panoramic compositions are structured by receding riverbanks and vertical accents, and in general recall the designs of Hendrick Avercamp (1585–1634) rather than those of the younger painters who were active in the area of Haarlem and Amsterdam. This conservatism is a legacy of Van der Neer's training in his native city of Gorinchem, which did not, however, discourage his describing optical effects such as the sun's reflection, shadows cast by boats, and the sense of light and space infusing cloudy skies. Especially impressive in this picture is the way in which the brilliance of the sunset is diffused throughout the landscape. These qualities may be considered the artist's main concern, whereas predecessors such as Avercamp usually concentrated on the figures. For Van der Neer, humanity seems to represent not so much society as another aspect of nature.
Some of the painter's winter scenes of the 1640s are dated, but very few later examples are inscribed with a year. The undated examples are difficult to place chronologically; they reveal a remarkable lack of repetition, and pentimenti suggesting much invention ad libitum. The Met’s picture, however, is consistent in style with a group of small skating scenes that date from the late 1650s and early 1660s.
[2017; adapted from Liedtke 2007]
Copyright Image
https://images.metmuseum.org
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